Watch out, Beedle's a Bard... - John C. Kirk — LiveJournal
Feb. 9th, 2009
12:04 am - Watch out, Beedle's a Bard...
Today I've been reading "The Tales of Beedle the Bard", a spin-off from the Harry Potter novels. It has five short stories, as told to children in wizard families, along with commentary by Dumbledore. The stories themselves are ok, but nothing special; it's the commentary (and footnotes) that really make the book worthwhile. Basically, this is all about world building. I particularly liked the idea of the book "Hairy Snout, Human Heart" ("a heart-rending account of one man's struggle with lycanthropy"). It's different to the main Potter novels, but it amused me, and I'd be happy to read more books like this, e.g. the oft-mentioned "Hogwarts: A history".
Admittedly, this is quite a short book: 103 pages, with illustrations, and smaller pages than usual. However, lots of shops are selling it cheaply: the RRP is £6.99, but I bought this at Sainsbury's for £3.49, and £1.61 of that goes to charity, so I think it's worth the money.
More generally, I've been pondering what type of genre this is. It's not exactly metafiction; that's when characters are aware that they're fictional, e.g. "The Last Action Hero" (a vastly underrated film). This is more the opposite direction, since it's the fiction of a fictional world: "fiction once removed", perhaps. Marvel did something similar a few years ago, when they printed "Marvel's comics", the conceit being that these were the comics which were published in the Marvel Universe. They included the familiar superheroes, but the MU writers wouldn't know about secret identities, so they went off in a different direction. "Itchy and Scratchy" (in "The Simpsons") is another example, but I can't think of any others offhand. I think you need a fairly strong concept for the first level of fiction, otherwise you get into Bagpuss territory where the first level is just a framing sequence for the main story, but it can work out well, as in this case.